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OSC-09 • KRISTOFFER SUNDIN AND ANTON ALVAREZ • FÄRGFABRIKEN • 2009 •
ME AND ANTON ALVAREZ CREATED THE FURNITURES AND THE SCENIC DESIGN FOR THE OSC-09 FESTIVAL AT FÄRGFABRIKEN WHO TOOK PLACE IN AUGUST 2009.
WE USED A WATER SPRINTLER, 160 LITERS OF PAINT AND A HIGH PRESSURE PUMP TO TELL THE STORY ABOUT THE OSCILLATION AND THE HISTORY OF THE LOCATION. THE PAINTING WAS DONE IN AN OUTDOOR SPACE INSIDE TEXTILE WALLS IN ORDER TO LIMIT THE SPRINKLING OF THE PAINT. THIS SURFACE WAS THE ENTRANCE TO THE FESTIVAL AND THE VISITORS’ FIRST IMPRESSION OF THE LOCATION. A SPRINKLER WAS LEFT IN PLACE, PLACED ON A PODIUM IN THE CENTRE OF THE ROOM. FURTHER INSIDE THE ROOM THERE WERE WALL SIGNS, BAR CONSTRUCTIONS AND A DJ TABLE THAT WERE INVOLVED IN THE PREPARATIONS AND SPRAYED IN RANDOM PATTERNS.

THE MAKING OF OSC-09:
http://www.youtube.com/watch?v=xsH3TK9F3H8


PHOTOGRAPHY BY PER ENGLUND AND TORKEL ENGSTRÖM
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OSC-09 • KRISTOFFER SUNDIN AND ANTON ALVAREZ • FÄRGFABRIKEN • 2009 •
ME AND ANTON ALVAREZ CREATED THE FURNITURES AND THE SCENIC DESIGN FOR THE OSC-09 FESTIVAL AT FÄRGFABRIKEN WHO TOOK PLACE IN AUGUST 2009.
WE USED A WATER SPRINTLER, 160 LITERS OF PAINT AND A HIGH PRESSURE PUMP TO TELL THE STORY ABOUT THE OSCILLATION AND THE HISTORY OF THE LOCATION. THE PAINTING WAS DONE IN AN OUTDOOR SPACE INSIDE TEXTILE WALLS IN ORDER TO LIMIT THE SPRINKLING OF THE PAINT. THIS SURFACE WAS THE ENTRANCE TO THE FESTIVAL AND THE VISITORS’ FIRST IMPRESSION OF THE LOCATION. A SPRINKLER WAS LEFT IN PLACE, PLACED ON A PODIUM IN THE CENTRE OF THE ROOM. FURTHER INSIDE THE ROOM THERE WERE WALL SIGNS, BAR CONSTRUCTIONS AND A DJ TABLE THAT WERE INVOLVED IN THE PREPARATIONS AND SPRAYED IN RANDOM PATTERNS.

THE MAKING OF OSC-09:
http://www.youtube.com/watch?v=xsH3TK9F3H8


PHOTOGRAPHY BY PER ENGLUND AND TORKEL ENGSTRÖM

Storlek