KRISTOFFER SUNDIN
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NEWS:

2009-09-30
POP-UP STORE FOR PERMANENT VACATION BY KRISTOFFER SUNDIN AND 1-2-3 ADDED ON WEBPAGE

2009-09-26
KRISTOFFER SUNDIN AND 1:2:3 DESIGNED A POP-UP STORE FOR THE FASHION BRAND
'PERMANENT VACATION'
. THE STORE WILL BE OPEN UNTIL THE 11TH OF OCTOBER AT 'GALLERI NYA SKOLAN' AT KASERNTORGET 8 IN GOTHENBURG.

2009-09-17
KITCHEN TABLE BY KRISTOFFER SUNDIN AND 1:2:3 ADDED ON WEBPAGE







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RIO • KRISTOFFER SUNDIN AND 1:2:3 • IDENTITY AND INTERIOR DESIGN • 2009 • THE CONCEPT CONSISTS OF INTERIOR DESIGN AND A GRAPHIC IDENTITY, BOTH OF WHICH REFER TO THE ORIGINAL DESIGN OF THE 1940'S CINEMA, BUT AT THE SAME TIME IT INTRODUCES A SPACE IN TRANSFORMATION. FROM BEEING A CINEMA LIMITED TO ONE SCREENING EACH NIGHT, RIOS NEW AIM IS TO OFFER A WIDER RANGE OF ACTIVITIES. THE CONCEPT IS DESIGNED SO THAT IT CAN BE ADJUSTED AND ALTERED DEPENDING ON EACH ACTIVITY. OPERA NIGHT OR CAFÉ, FILM FESTIVAL OR CONFERENCE CENTRE. FOR THE FOYER, ME AND 1:2:3 DEVELOPED ADAPTABLE FURNITURE AND LIGHTING. THE ROOM NORMALLY FUNCTIONS AS A CAFÉ, WITH THE TABLES PULLED APART AND A LAMP OVER EACH ONE. BUT IF YOU SIT DOWN AT A TABLE AND LOOK AROUND, YOU SEE THAT THEY FIT TOGETHER – THEY HAVE A COMMON, LARGER FORM. IN A SIMILAR WAY THE LAMPS CAN BE BUNDLED TOGETHER TO FORM A LARGE CHANDELIER. FOR THE GRAPHIC IDENTITY WE DESIGNED A EXTENSIVE SIGNAGE SYSTEM. THE DESIGN OF THE NEW SIGNAGE SYSTEM WAS BASED ON THE IDEA OF THE CINEMA AS A UNIQUE PHYSICAL SPACE IN CONSTANT CHANGE. AN ALPHABET IN THREE SIZES WERE CREATED WHICH IS USED IN SIGN BOXES INSIDE AND OUTSIDE OF THE CINEMA. ALL SIGNS ARE WRITTEN MANUALLY BY THE STAFF, THE SYSTEM MAKES THE SIGNS EASY TO CHANGE. BY PHOTOGRAPHING THEM AND USING THE PHOTOS IN MONTHLY PRINTED PROGRAMMES AND NEWSLETTERS, IT CREATES A STRONG CONNECTION TO THE ACTUAL THEATRE RIO.



PHOTOGRAPHY BY ERIK WÅHLSTRÖM

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OSC-09 • KRISTOFFER SUNDIN AND ANTON ALVAREZ • FÄRGFABRIKEN • 2009 •
ME AND ANTON ALVAREZ CREATED THE FURNITURES AND THE SCENIC DESIGN FOR THE OSC-09 FESTIVAL AT FÄRGFABRIKEN WHO TOOK PLACE IN AUGUST 2009.
WE USED A WATER SPRINTLER, 160 LITERS OF PAINT AND A HIGH PRESSURE PUMP TO TELL THE STORY ABOUT THE OSCILLATION AND THE HISTORY OF THE LOCATION. THE PAINTING WAS DONE IN AN OUTDOOR SPACE INSIDE TEXTILE WALLS IN ORDER TO LIMIT THE SPRINKLING OF THE PAINT. THIS SURFACE WAS THE ENTRANCE TO THE FESTIVAL AND THE VISITORS’ FIRST IMPRESSION OF THE LOCATION. A SPRINKLER WAS LEFT IN PLACE, PLACED ON A PODIUM IN THE CENTRE OF THE ROOM. FURTHER INSIDE THE ROOM THERE WERE WALL SIGNS, BAR CONSTRUCTIONS AND A DJ TABLE THAT WERE INVOLVED IN THE PREPARATIONS AND SPRAYED IN RANDOM PATTERNS.

THE MAKING OF OSC-09:
http://www.youtube.com/watch?v=xsH3TK9F3H8


PHOTOGRAPHY BY PER ENGLUND AND TORKEL ENGSTRÖM

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Kristoffer Sundin